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He had this piece made for himself in chic cream lacquer with loose upholstery in a plain colour to match the rest of the gleaming white sofas, tables and chairs in his drawing-room. It was also delivered to clients in hardwoods with lavishly patterned fabric and leather upholstery.
Dating from the period when his creative powers were at their height, this model was a personal favourite of Henry van de Velde’s. The two exemplars he owned himself went with him on at least seven times when he moved, accompanying all stages of his long voyage through life. Bought from the estate of his only son,Thyl, they are now highlights of the most important van de Velde collection in his native Belgium, in the Ghent Museum for the Applied Arts. Only three other exemplars are extant: in a private collection and in the Städtische Kunstsammlung Chemnitz.
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 Reclining chair Van de Velde, Picture taken from Henry van de Velde's presentation album (1905)
 Henry van de Velde with family in house 'Hohe Pappeln' (1912)
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